Cambodia Town Film Festival celebrates 10 years of cultural exchange

September 04, 2024 - 09:46
Launched in 2014, the festival has become a prominent event in the Cambodian-American community and a platform for promoting Cambodian cinema globally.

PHNOM PENH – One of the US Cambodian diaspora’s greatest cinematic occasions is set to celebrate a decade of showcasing the Kingdom onscreen, as the Cambodia Town Film Festival once (CTFF) again features on California’s cultural calendar.

This year’s Cambodia Town Film Festival marks the 10th anniversary of the event, which began in 2014. Photo CTFF/ THE PHNOM PENH POST

This year’s festival will give audiences the opportunity to experience a lineup of 30 diverse films, including documentaries, shorts and features that delve into Cambodian culture and experiences. Screenings are scheduled from September 13-15, at the Art Theatre, in Long Beach, CA.

Founded by Prach Ly and Caylee So, members of the large Cambodian-American community of Long Beach, the festival was created to highlight Cambodian films and celebrate their cultural heritage.

Caylee So, a filmmaker and US military veteran, co-wrote, co-directed, and co-produced the 2018 film “In the Life of Music”, which was the Cambodian entry for Best International Feature Film at the 92nd Academy Awards.

Prach Ly, an artist and activist, is well-known for his music, which addresses the Cambodian genocide and social issues.

Launched in 2014, the festival has become a prominent event in the Cambodian-American community and a platform for promoting Cambodian cinema globally. Long Beach’s Cambodia Town, a vibrant community, attracts over 20,000 visitors to its Khmer New Year celebrations each year.

As a vital component of this cultural hub, the CTFF has grown significantly over the past decade.

The festival’s evolution is marked by an increase in both the quantity and quality of films showcased.

“Initially focused on a limited selection of Cambodian films, the festival has expanded to feature diverse content from Cambodian filmmakers and stories from the broader Southeast Asian community,” explains co-founder So.

She believes that this diversity has enriched the festival’s programming and attracted a wider audience, with many films receiving critical acclaim and international recognition.

The festival’s wide-reaching membership sets it apart, bringing together local community members, international filmmakers and industry professionals. This inclusive environment promotes dialogue, networking and collaboration, allowing the attendees to engage on a meaningful level with the films and filmmakers.

By showcasing Cambodian cinema, the festival fosters pride and cultural identity among community members, creating opportunities for cultural exchange and dialogue. This connection to heritage is especially meaningful for members of the younger generations who are seeking to understand their roots. The festival also positively impacts local businesses by attracting a diverse audience, boosting foot traffic and sales in the area.

The journey to the 10th edition has not been without challenges. Securing funding and sponsorships to support the festival’s operations and programming remains a significant hurdle.

“This often involves extensive outreach to potential sponsors and fundraising efforts,” says So.

Curating a diverse selection of quality films – while ensuring a cohesive vision for the festival – also requires constant communication and collaboration with filmmakers and industry professionals.

This year, the ‘RuMBa Foundation of Long Beach’ has enabled CTFF to offer free screenings for all students and seniors.

“We’re proud to support the films and filmmakers while ensuring there is an audience to experience these amazing works,” adds So.

The festival prioritises films that reflect the Cambodian experience, encompassing themes such as identity, heritage and history, as well as contemporary issues.

Guests at this year’s events can expect a vibrant and dynamic experience, with a captivating lineup of films, thought-provoking discussions and engaging panels featuring filmmakers and industry experts. There’s something for everyone, with powerful storytelling that highlights unique perspectives and addresses relevant social issues.

“Happy Ending”, directed by Elodie Yung, is a 17-minute film about a Cambodian woman who works in an illicit massage parlour in the US to support her family.

“The Night Curse of Reatrei”, directed by Leak Lyda and produced by Leng Soklin, is a 94-minute feature set in an orphanage with a haunting past, starring Paing Takhon, Shin Yubin, Princess Jenna Norodom and Sam Tharoth.

“Satook”, a 30-minute documentary directed by Prach Ly, explores the transformation of religious traditions within Cambodian American communities.

“Elvis of Cambodia”, directed by Chris G Parkhurst, is a 70-minute documentary that delves into the legacy of Sinn Sisamouth, Cambodia’s most famous singer, whose music continues to endure globally through Cambodian refugees around the world.

“Work Life”, directed by Keving Ung and produced by Raphael Buisson, is a 14-minute film about four corporate co-workers whose lives intertwine through improbable twists of fate.

“We look for compelling storytelling with strong performances, direction and cinematography, as well as overall impact,” explains So.

The festival also supports emerging filmmakers, particularly from the Cambodian diaspora, by providing mentorship, workshops and invaluable industry connections.

The CTF’s goals include forging stronger partnerships with cultural organisations, educational institutions and film industry stakeholders to create more collaborative events and resources for filmmakers.

“We want to give filmmakers as many resources and tools as possible for the success of their films and their future in filmmaking,” says So.

By consistently showcasing high-quality films and engaging with global audiences, the festival is helping to establish Cambodia as a significant player in the international cinema scene.

“We hope this recognition can attract more investment and interest in Cambodian film projects,” adds So.

Reflecting on the past ten years, she expressed her pride in the strong sense of community fostered among filmmakers, audiences and cultural advocates.

“I also take pride in the festival’s ability to promote cultural understanding and appreciation within the broader Los Angeles community and beyond,” she says, adding, “To everyone attending this year’s CTFF, the organisers extend a heartfelt welcome. This festival is a celebration of creativity, culture, and community.”

Attendees are encouraged to immerse themselves in the stories, engage in conversations and connect with fellow audience members and filmmakers.

“Your support elevates the voices of Cambodian artists and strengthens the cultural tapestry of our diverse communities,” So continues.

Movie lovers who are interested in celebrating the festival’s amazing stories and films should book their tickets through the Cambodia Town Film Festival website. — The Phnom Penh Post/ANN

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