Vietnamese animation has much potential to grow

November, 03/2022 - 09:00

Vietnamese animation began 63 years ago with the establishment of the Việt Nam Doll Animation Studio (now the Việt Nam Animation Studio) on November 9, 1959.

HÀ NỘI — Despite more than 60 years of growth, Vietnamese animation has not met the development potential and audience expectations.

While veteran filmmakers are concerned that Việt Nam animation productions still have many limitations, the young are confident about the creative ability of Vietnamese cartoonists.

Vietnamese animation began 63 years ago with the establishment of the Việt Nam Doll Animation Studio (now the Việt Nam Animation Studio) on November 9, 1959.

Since the very first production, Đáng Đời Thằng Cáo (It Serves the Fox Right!), the industry has about 800 films with a current production scale of 17-18 films per year.

Many of those are favourites of audiences, including Quái Vật Rừng Xanh (The Jungle's Monster), Bí Mật Của Những Đứa Trẻ (The Children's Secret), Truyền Thuyết Gươm Thần (The Legend of Sacred Sword), Người Anh Hùng Áo Vải (The Hero in Brown Robe), Cậu Bé Cờ Lau (The Boy Holding the Reed Flag), Vương Quốc Bánh Kẹo (The Confectionery Kingdom).

A scene from the Vietnamese animated movie Cậu Bé Cờ Lau (The Boy Holding the Reed Flag) produced by the Việt Nam Animation Studio. — Photo courtesy of the studio

According to the General Director of the Việt Nam Animation Studio Joint Stock Company, People's Artist Phạm Ngọc Tuấn, every year, the company receives about 20 movie orders from the State. The movies are on diversified topics, from history to fairy tales, that are interesting and educational for children.

To promote their productions, alongside competing at Việt Nam's biggest movie award, the Golden Kite, the studio also presented their movies in regional film festivals or uploads to YouTube to access more audiences.

In the summer of 2022, the studio hosted a free animation movie programme for children at the National Cinema Centre in Hà Nội.

Despite their effort in promoting their animated movies, it is a fact that many productions could be more attractive to viewers.

According to some 'insiders', it's obsolescence in thinking and developing the content. Many film scripts follow the same path when the topic of legends and fairy tales is exploited repeatedly. There is also a lack of creativity in cartoon drawing and the personality of cartoon characters.

Many films include educational lessons but in a dogmatic way that is unsuitable for children's perception nowadays.

However, the animation market has been considered a 'rich soil' for animated filmmakers and film distribution companies.

While Hollywood animated movies such as Ice Age, Kungfu Panda, Batman, and Spiderman are always the highest-grossing at the Vietnamese box office at the time of their launches, Vietnamese productions can only be shown for free in designated programmes. Not a single Vietnamese animated film has been eligible for cinema release.

Not to mention modern film technology and the attractiveness of the script, all the Vietnamese animations haven't met the requirement of the 60-minute length, the minimum length to be screened in the cinema.

According to the deputy director of the Cinema Department, Lý Phương Dung, most of the films produced by Việt Nam's animation Studios have a length of only 10-15 minutes. A few are 30 minutes long.

Tuấn, General Director of the Việt Nam Animation Studio Joint Stock Company, also admitted that most films produced by the studios are about 8-10 minutes long, and the longest is about 30 minutes. He said there are no movies long enough to be shown in the cinema.

Chairwoman of the Việt Nam Association for the Promotion and Development of Cinematography, Ngô Phương Lan, said that to have quality animated films that can conquer the market, it's necessary to have talented filmmakers who can lead the Vietnamese animation industry.

Potentials of private studios

Currently, there are some private-owned animation studios that, with their talented human resources, can create diversified products. These studios also have regular and close cooperation with foreign partners.

Sconnect, a private animation studio, are a good example. The studio created Wolfoo, a set of cartoon characters, and released it on YouTube in June 2018. 

Currently, the content channels about this character have 2,700 episodes, attract 50 million followers, and have been translated into 17 languages globally. Wolfoo also achieved 3 Diamond Play buttons and dozens of Gold & Silver Play buttons on YouTube. 

Vietnamese cartoon Wolfoo has 2,700 episodes and reached 30 billion views globally. — Photo courtesy of Sconnect

Another 'rising star' of Vietnamese animation is DeeDee Animation Studio, who has worked with several big animation companies such as Colory Animation, Sun Wolf Animation Studio, and Freaky Motion.

In a recent workshop on 'Animation Production Capacity in Việt Nam', co-founder and manager of DeeDee Animation Studio Lê Quỳnh Như said her studio has a crew of talented animators who are at the same level as leading animation creators.

The proof is that DeeDee Animation Studio has long been a partner with several other global studios, such as Shin-Eli Animation (creators of the series Doraemon, Crayon Shin-chan), TMS Animation (creators of the series Conan: Detective), and Disney Animation Studio.

"The cooperation with those companies is evidence of the quality of our Vietnamese artists. Therefore, it must be affirmed that our potential and resources are abundant that can help us move and go further abroad," Như said.

Founder and CEO of Sconnect, Tạ Mạnh Hoàng, also said that Việt Nam has great advantages, such as abundant resources of talented artists.

"When this resource is well used, the animation industry will develop," he added. — VNS

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