Keeping traditional music alive and well

June 08, 2019 - 01:53
Nguyễn Quang Long was born into a family that loved music. Especially traditional music. He and other artists are trying hard to make sure it does not get forgotten.

 

 

Music researcher Nguyễn Quang Long (left) performs in the music video for the song Tương Tư (Love Sick). Photo Vũ Lâm

 

Music researcher Nguyễn Quang Long speaks with reporter Bùi Quỳnh Hoa about his dream to make xẩm (blind busker’s singing) and other traditional Vietnamese music more accessible for young people.

 

Inner Sanctum: Tell us a little about yourself.

I’m Nguyễn Quang Long, 43, a music researcher. I was born to a family which has a deep passion for traditional music in the northern province of Bắc Giang.

I used to write about traditional music for big newspapers including Nhân Dân (The People), Tiền Phong (The Vanguard), Tuổi Trẻ (Youth) and Phụ Nữ Thành Phố Hồ Chí Minh (HCM City’s Women), and some magazine including Âm Nhạc Việt Nam (Việt Nam Music) and Lý Luận Phê Bình Văn Học Nghệ Thuật Trung Ương (Letters and Arts Theory).

People know about me through my xẩm or blind busker’s songs such as Bốn Mùa Hoa Hà Nội (Hà Nội’s Four Seasons of Flowers) and Tứ Vị Hà Thành (Four Delicacies of the Capital).

Inner Sanctum: Your love for traditional music seems to come naturally. How did you come to fall in love with it?

As I said, I was born into a family where both my parents have a deep love for music. My father’s friends were famous artists in quan họ (love duet singing) and used to come to our home when I was very young. They sang quan họ everywhere they could. At that time, that kind of music was very popular in the north. Many, many people loved it. And so did I. My love for traditional music grew more and more, naturally.

After high school, I decided to take part in the Việt Nam National Academy of Music to study vocal performance for four years and then musicology for four years.

Since the beginning, traditional music has played a very important and significant role to my life. And now I know I want to devote my whole life to it.

Inner Sanctum: Talking about you, we can’t help but mention Xẩm Hà Thành. Could you tell us about the group?

I fell in love with blind busker’s singing when I accidentally met artist Thao Giang in 2005. He talked about traditional music, especially xẩm, and his plans to preserve it. He made me curious about it and step by step I came to love it. We worked together closely and released an album titled Xẩm Hà Nội in January 2006. We were so happy when it was well received.

Since then, we’ve studied the genre more deeply and devoted ourselves to preserving and developing it widely in Hà Nội. In 2009, musician Mai Tuyết Hoa and I set up our own xẩm group, and Xẩm Hà Thành was born.

Inner Sanctum: Preserving and developing the cultural values of Việt Nam through traditional music is hardly the quickest way to get rich. Why have you devoted your life to it? Does your family support your choice?

It’s my passion and I want to spend all my time on it. In fact, it’s easy to see that xẩm has appeared everywhere. People love it, even young people. They establish their own xẩm groups. Before 2005, it was just a dream, but now it’s a real phenomenon. This is the reward for all our long days of hard work, and it can't be assigned a monetary value.

Luckily, my family has supported me the whole way. They’ve come along with and whenever I have failed or succeeded they have shared those moments.

Inner Sanctum: After many years trying to make xẩm accessible for the youth, what do you think about their reaction?

Young people are the largest audience of Xẩm Hà Thành. They are ones that we want to target.

In fact, traditional music is not for the masses. We need to accept that it attracts small audiences, but they are very passionate. Each time we organised events highlighting traditional music and xẩm, at least 50 spectators attended, including many young people.

Times and living space have changed so traditional music cannot become very popular at present. But I think we should create a specific space for traditional music genres. Furthermore, preferential policies for traditional arts and groups of artists are also needed.

Inner Sanctum: Along with preservation, what should we do to bring traditional music closer to young people without losing sight of its origins?

It’s crucial to thoroughly learn the origin and the spirit of the different types of traditional music to properly innovate. It’s not easy.

Honouring veteran artists is also necessary to encourage them to inspire younger generations with their love of traditional music.

Inner Sanctum:How important is it to have people who are enthusiastic about inspiring others?

In my opinion, this is the most important factor to make traditional music accessible to young people.

We are gradually developing a community of lovers of traditional music. The spread of xẩm has been encouraging recently with the creation of many clubs nationwide. Veteran artists including Professor Phạm Minh Khang, Thao Giang, People’s Artist Xuân Hoạch, Thanh Ngoan and Mai Tuyết Hoa have worked hard to bring their love of folk culture to the young people.

Xẩm Hà Thành has also focused on bringing in new elements to enrich xẩm and other traditional arts.

Inner Sanctum: Do you believe traditional music will continue to attract more young audiences?

Sure. Traditional music is the spirit of Vietnamese culture.

In order to make it more popular, strategies on training outstanding artists, researching the art forms and raising knowledge about traditional and contemporary arts among audiences are necessary.

We should develop useful projects and practical activities to reproduce spaces for traditional culture to live and create favourable conditions for young people to learn. Conservation work only focuses on keeping historical values. If its living space is lost, traditional music will fall into oblivion.

Inner Sanctum: What are your plans in the future?

2019 is significant for Xẩm Hà Thành and for me personally. This year marks the group’s 10th anniversary. It’s also 20 years since I chose musicology as my path.

In order to celebrate the group, we plan to organise a live show in August and release an album titled Xẩm by Mai Tuyết Hoa as well as an album by the group. We are also finding support from other organisations to hold another xẩm night in HCM City. VNS


 

GLOSSARY

I’m Nguyễn Quang Long, 43, a music researcher. I was born to a family which has a deep passion for traditional music in the northern province of Bắc Giang.

If you have a passion for something, you love it so much you do not mind how much time or money you spend on it.

People know about me through my xẩm or blind busker’s songs such as Bốn Mùa Hoa Hà Nội (Hà Nội’s Four Seasons of Flowers) and Tứ Vị Hà Thành (Four Delicacies of the Capital).

A busker is a street musician.

Delicacies are very smart and expensive foods.

After high school, I decided to take part in the Việt Nam National Academy of Music to study vocal performance for four years and then musicology for four years.

Vocal means involving someone’s voice.

Musicology is the study of music.

Since the beginning, traditional music has played a very important and significant role to my life.

Significant means meaningful.

And now I know I want to devote my whole life to it.

To devote your life to something means to give your life to it and make it your main reason for living.

I fell in love with blind busker’s singing when I accidentally met artist Thao Giang in 2005.

Accidentally means “not on purpose”.

He talked about traditional music, especially xẩm, and his plans to preserve it.

To preserve means to keep something going. In this case, it is to stop traditional music from being forgotten.

He made me curious about it and step by step I came to love it.

Curious means being full of questions.

Since then, we’ve studied the genre more deeply and devoted ourselves to preserving and developing it widely in Hà Nội.

A genre is a type of music.

Before 2005, it was just a dream, but now it’s a real phenomenon.

A phenomenon is something that is taken for being a fact but has actually not been proved.

This is the reward for all our long days of hard work, and it can't be assigned a monetary value.

To assign something a monetary value means to give it a value in money. In other words, to say “it is worth so many Dong”.

Furthermore, preferential policies for traditional arts and groups of artists are also needed.

Preferential policies are ways of doing things that people believe are the best way to do them.

It’s crucial to thoroughly learn the origin and the spirit of the different types of traditional music to properly innovate.

Crucial means important.

To do something thoroughly means to focus a lot of attention on doing it and to therefore do it properly.

Innovate means new, interesting and original.

Honouring veteran artists is also necessary to encourage them to inspire younger generations with their love of traditional music.

Veteran artists are artists who have lots of experience and knowledge about art.

To inspire people means to make them want to go out and do something positive.

In my opinion, this is the most important factor to make traditional music accessible to young people.

A factor is a circumstance or a fact that leads to a result.

In order to make it more popular, strategies on training outstanding artists, researching the art forms and raising knowledge about traditional and contemporary arts among audiences are necessary.

Strategies are ways of doing things.

Arts that are contemporary are happening now and do not necessarily belong to the past.

We should develop useful projects and practical activities to reproduce spaces for traditional culture to live and create favourable conditions for young people to learn.

To reproduce means to make more of something. In this case it is more spaces.

Conservation work only focuses on keeping historical values.

Conservation means protecting things from vanishing with time.

If its living space is lost, traditional music will fall into oblivion.

If traditional music falls into oblivion it becomes forgotten and disappears.

This year marks the group’s 10th anniversary.

An anniversary is a birthday.

WORKSHEET

State whether the following sentences are true, or false:

  1. Nguyễn Quang Long and his family’s feeling for music.
  2. Your mother and father.
  3. The level of school you attend in your last years of school.
  4. Thoughts of things you long to do.
  5. The opposite of difficult.

ANSWERS: 1. Love; 2. Parents; 3. High; 4. Dreams; 5.  Easy.

 

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