Sunday, September 15 2019

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New experimental play combining four traditional vocal arts staged

Update: August, 27/2019 - 15:09

 

A scene from play Ngàn Năm Mây Trắng, which combines four traditional vocal art forms. Photo vov.vn

HÀ NỘI — A play has just been staged with the unique combination of four traditional vocal arts, including cải lương (renovated opera), chèo (traditional opera), xẩm (singing by blind busker) and Huế’s hát văn (folk ceremonial singing of Huế).

Titled Ngàn Năm Mây Trắng (Thousand-Year Cloud), the play was written by Prof Nguyễn Thế Kỷ, a member of the Central Party, chairman of the Central Council for Theory, Literature and Arts Criticism. The play tells the story of a loyal wife searching for her husband, who left for battle and never returned home.

The inspiration for the play comes from the folk legend of Tô Thị, who was turned into stone while waiting for her husband to return home.

The stone used to be located on a mountain in Đồng Đăng Town, in the northern province of Lạng Sơn. It collapsed in 1991 as a result of illegal mining and was replaced with a statue.

There have been many other statues in localities throughout the country, like Bà mountain in the central province of Bình Định, M’drak mountain in the central highlands province of Đắk Lắk, Nhồi Mountain in the central province of Thanh Hóa and by Khe Giai River, Cơ Lêc Village in central province of Nghệ An. The image of the waiting wife has appeared in many works of Vietnamese literature.

“During the country’s history, there have been many of these stones,” Kỷ said. “They are wives waiting for their husbands to return home from battle.”

The image is a symbol of loyalty and humanity that is very moving, he said.

“We don’t expect the play to be a representative work for contemporary theatre discussing various issues of life,” he said. “We just want to say that besides the beauty, the good, the ugly and the bad still exist.”

“We just want to stage a work that embraces various traditional vocal art forms,” he said.  

Vocal art forms

The play lasts for 90 minutes and includes 60 artists from the Việt Nam Cải Lương (Renovated Opera) Theatre, Việt Nam Chèo (Traditional Opera) Theatre and the Radio Voice of Việt Nam Theatre’s Traditional Orchestra.

The main characters are played by talented performers of various theatrical art forms like Meritorious artists Thu Trang, Văn Chương, Minh Phương and artists Quang Khải, Tuấn Thanh and Tất Dũng.

The play is divided into various parts telling Tô Thị’s journey to search for her husband together with her small baby. Each of the spaces is reflected with separate art forms like renovated opera, traditional opera, singing of wandering buskers and ceremonial singing.

“After being invited to stage the play, myself and artist Thanh Ngoan immediately discussed a way to stage an opera using melodies of traditional vocal arts,” said People’s Artist Triệu Trung Kiên, director of the play.

Kiên worked with painter Hồng Vân to apply images of revolving lanterns [đèn kéo quân] to express the passage of time during the play.

Kiên said the team applied Eastern theatre methods of letting the characters tell their stories.

“The highlight of the play is praising brave soldiers, who sacrificed themselves to protect the country,” he said. “The play also appreciates the loyalty and humanity of Vietnamese women.”

Meritorious Quang Khải, who plays the role of Trương Lỗ, a brother of Tô Thị’s husband, said he could not image traditional vocal art forms would combine so smoothly.

“There seems to be no barrier among artists of vocal art forms when they perform on the same stage,” he said.

Meritorious Artist Thu Trang, who plays the role of Tô Thị, said she just finished a song of renovated opera and Meritorious Văn Chương followed with another song of traditional opera.

“It sounds good,” she said. “Melodies of folk arts are unique when they mix and complement one another.”

Audience member Trần Hoài said he was lost in the images created on stage.

Hoài also appreciated the folk musicians, who do not appear on stage but have contributed to the success of the play.

However, he suggested a longer ending scene when Tô Thị is turned to stone.

“If the scene lasted several minutes longer with lights and sounds, it will be an impressive highlight,” he said

The play, which was staged as a cultural work commemorating the 74th anniversary of the Radio Voice of Việt Nam (VOV) and 70th anniversary of the VOVs Theatre, will be performed regularly at the theatre, the Hà Nội Opera House and broadcast on the VOV’s radio and television channels and some other provincial radio and television channels. VNS

 

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