Things come and go in this ever-changing world.

However, change sometimes does not happen immediately.

Circuses were once very popular things children loved to watch.

Now, fewer people go to them and they battle to make money.

That does not mean that the people who perform in them are not trying to keep them going.

By Thu Anh

A family trip to the magic world of the circus could soon be a thing of the past as children increasingly favour surfing and posting on Facebook and Instagram, playing video games and going to the cinema.

While many circus performers entertained thousands of youngsters in the 1980s, they are attracting fewer and fewer crowds today. 

In HCM City, only two troupes, Mặt Trời Đỏ (Red Sun) and Bầu Trời Xanh (Blue Sky), of the HCM City Circus offer shows, but the troupes are struggling to survive.

The troupes operate under the HCM City Circus, which has had no theatre for their performances for several years.

Instead, they are using Kỳ Hòa Cultural Park, HCM City Zoo & Botanical Gardens and Đầm Sen Tourist Park.

In 2012, they moved to a place in Gò Vấp District’s Gia Định Park.   

“It was sad to see that some theatres were rebuilt for other purposes, while our troupes have no place of our own to perform,” said Nguyễn Đức Thế, director of HCM City Circus.

“Our performers are working in poor conditions and with props two decades old,” he said.

The Circus of the city receives VNĐ2 billion (US$88,000) per year from the State budget but “the money is not enough”, he said.

The troupes stage performances every weekend but often incur losses.

“We have to pay too much for the rights to stage plays, while turnover from tickets cannot cover operational costs,” he said.

Thế said that plans to build a circus theatre on Lữ Gia Street in District 11 in 2005 were still on paper.

Youth today would rather go to shopping malls, entertainment centres, karaoke clubs, music concerts and cinemas than watch circus performances.  

Circus animal trainer Ánh Tuyết of Mặt Trời Đỏ said her colleagues work hard to prepare for their performances. They invent new routines and practice for up to 12 hours a day.

“We face accidents at work, too” she added.  

Quốc Đại, who began his career at 17 and won several prizes at local and international circus festivals, said: “For only a 20-minute performance slot on stage we have to spend more than two years working on the circus item.”

After 20 years of walking a tightrope, Đại is now preparing to return to the ground because "the acrobats end their jobs after they are 35," he said.

"The job is very demanding. The acts must be changed quickly with high accuracy and skills can decline with age," he explained.

Many circus artists are reluctant to quit the stage for fear of not making enough money in another walk of life.  

"I love my job but sometimes I ask myself why I didn’t become a movie director or a theatre actress, instead," said Tuyết, who earns only VNĐ3 million (US$132) a month from her work.

The circuses today are in a sorry state with inadequate equipment and under-trained performers.

Many performers only work in variety shows or get involved in movies and theatre, working as an assistant director in casting and clothing.  

"The circus helps children develop their imagination. I don’t think young people, especially rural kids, would reject the circus," said Trần Nguyệt Nga of HCM City, a mother of two daughters in HCM City.

"The problem is that the world develops very fast around our children while circus performances are the same as they were 10 years ago."

Thùy Trang, a public relations official with HCM City Circus, said that many circuses had shut down in the face of the growing number of theatres, cinemas and entertainment complexes being opened in large cities. 

She said the Việt Nam Circus Federation has asked the Government for more funding to improve the quality of training at circus schools.— VNS

GLOSSARY

A family trip to the magic world of the circus could soon be a thing of the past as children increasingly favour surfing and posting on Facebook and Instagram, playing video games and going to the cinema.

Favour, in this case, means prefer.

In HCM City, only two troupes, Mặt Trời Đỏ (Red Sun) and Bầu Trời Xanh (Blue Sky), of the HCM City Circus offer shows, but the troupes are struggling to survive.

A troupe is a team of performers.

“It was sad to see that some theatres were rebuilt for other purposes, while our troupes have no place of our own to perform,” said Nguyễn Đức Thế, director of HCM City Circus.

Rebuilt means built again.

“Our performers are working in poor conditions and with props two decades old,” he said.

Props are things that are put on a stage to help with the performance of a play or show.

A decade is a period of ten years.

The Circus of the city receives VNĐ2 billion (US$88,000) per year from the State budget but “the money is not enough”, he said.

A budget is a plan for how money should be spent. If it is a State budget it is one for government money.

The troupes stage performances every weekend but often incur losses.

To incur losses means to lose money from a venture rather than make money from it or break even.

“We have to pay too much for the rights to stage plays, while turnover from tickets cannot cover operational costs,” he said.

The operational costs of a circus are the costs involved in making it possible for the circus to function.

They invent new routines and practice for up to 12 hours a day.

To invent something means to come up with an idea to achieve something and then put it into practice.

Routines are timetables that people follow to do certain things on a regular basis, to the point that they can become habits.

Quốc Đại, who began his career at 17 and won several prizes at local and international circus festivals, said: “For only a 20-minute performance slot on stage we have to spend more than two years working on the circus item.”

A slot is a place on a schedule.

After 20 years of walking a tightrope, Đại is now preparing to return to the ground because "the acrobats end their jobs after they are 35," he said.

A tightrope is a rope that runs high up above the ground, which circus performers walk along during their acts.

Acrobats are performers who perform acts, which involve jumping and swinging on ropes that most people are not skilled to do.

"The job is very demanding.”

If your job is demanding, it requires a lot of your time and energy.

“The acts must be changed quickly with high accuracy and skills can decline with age," he explained.

Decline, in this case, means become worse.

Many circus artists are reluctant to quit the stage for fear of not making enough money in another walk of life.  

If you are reluctant to do something you don’t really want to do it.

The circuses today are in a sorry state with inadequate equipment and under-trained performers.

Inadequate means not good enough.

"The circus helps children develop their imagination.

Your imagination is the creative activity that goes on in your mind.

I don’t think young people, especially rural kids, would reject the circus," said Trần Nguyệt Nga of HCM City, a mother of two daughters in HCM City.

Rural means to do with country areas rather than towns and cities, which are in urban areas.

Thùy Trang, a public relations official with HCM City Circus, said that many circuses had shut down in the face of the growing number of theatres, cinemas and entertainment complexes being opened in large cities. 

Public relations is the industry that is involved in keeping up the good name of companies and organisations.

WORKSHEET

State whether the following sentences are true, or false:

1. Trần Nguyệt Nga has two daughters.
2.  She thinks rural kids would reject the circus.
3. Quốc Đại’s career in the circus began at the age of 17.
4. Many circus performers entertained only a few hundred youngsters in the 1980s but are attracting bigger and bigger crowds today. 
5. Thùy Trang works in public relations with HCM City Circus

ANSWERS:

© Duncan Guy/Learn the News/ Viet Nam News 2017

1. True; 2. False; 3. True; 4. False; 5. True.